In 1998, after the launch of “The O’Reilly Factor,” but before superstardom, he published a thriller called “Those Who Trespass,” which is his most ambitious and deeply felt piece of writing. “Those Who Trespass” is a revenge fantasy, and it displays extraordinarily violent impulses. A tall, b.s.-intolerant television journalist named Shannon Michaels, the “product of two Celtic parents,” is pushed out by Global News Network after an incident during the Falkland Islands War, and then by a local station, and he systematically murders the people who ruined his career. He starts with Ron Costello, the veteran correspondent who stole his Falkland story:The assailant’s right hand, now holding the oval base of the spoon, rocketed upward, jamming the stainless stem through the roof of Ron Costello’s mouth. The soft tissue gave way quickly and the steel penetrated the correspondent’s brain stem. Ron Costello was clinically dead in four seconds
Michaels stalks the woman who forced his resignation from the network and throws her off a balcony. He next murders a television research consultant who had advised the local station to dismiss him: he buries the guy in beach sand up to his neck and lets him slowly drown. Finally, during a break in the Radio and Television News Directors Association convention, he slits the throat of the station manager. O’Reilly describes each of these killings—the careful planning, the suffering of the victim, the act itself—in loving detail.
This is pretty much an autobiography of O'Reilly's career, except for the gory serial killings.
Gives some context to O'Reilly's regular threats against one things or another; his behavior towards Andrea Mackris; and his literal statements to Mackris that someday someone would essentially "snuff" Al Franken.
Eventually, Olbermann or someone will finally do that last piece that will make Falafel Bill crack, and crack but good. And when that crack up comes, you have to wonder when fantasy becomes reality.